Raja Ravi Varma
1848-1906, Indian painter. He was the most important and one of the earliest Indian artists of the 19th century to work in oil paints. The subjects of his paintings were often mythological, but they were produced in a European historicist style. He absorbed the influence of such French 19th-century academic painters as William-Adolphe Bouguereau and Gustave Boulanger and of Indian contemporary popular theatre, specializing in the type of mythological paintings that found favour with Indian rajas and British administrators. His successful exploitation (from 1894) of the lithographic reproduction of his paintings ensured, for the first time in India, that the work of an individual artist could reach a mass market.

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Raja Ravi Varma Maharana Prathap Singh oil painting


Maharana Prathap Singh
Date Unknown date Medium oil on canvas TTD
Painting ID::  95273
Raja Ravi Varma
Maharana Prathap Singh
Date Unknown date Medium oil on canvas TTD
   
   
     

Raja Ravi Varma Ganesha with ashta siddhi oil painting


Ganesha with ashta siddhi
Date Unknown date Medium oil on canvas TTD
Painting ID::  95274
Raja Ravi Varma
Ganesha with ashta siddhi
Date Unknown date Medium oil on canvas TTD
   
   
     

Raja Ravi Varma Goddess Saraswathi oil painting


Goddess Saraswathi
Date 1896(1896) Medium oil on canvas TTD
Painting ID::  95275
Raja Ravi Varma
Goddess Saraswathi
Date 1896(1896) Medium oil on canvas TTD
   
   
     

Raja Ravi Varma Goddess Lakshmi oil painting


Goddess Lakshmi
Date 1896(1896) Medium oil on canvas TTD
Painting ID::  95276
Raja Ravi Varma
Goddess Lakshmi
Date 1896(1896) Medium oil on canvas TTD
   
   
     

Raja Ravi Varma Dhruv Narayan oil painting


Dhruv Narayan
Date Unknown date Medium Lithograph TTD
Painting ID::  95277
Raja Ravi Varma
Dhruv Narayan
Date Unknown date Medium Lithograph TTD
   
   
     

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     Raja Ravi Varma
     1848-1906, Indian painter. He was the most important and one of the earliest Indian artists of the 19th century to work in oil paints. The subjects of his paintings were often mythological, but they were produced in a European historicist style. He absorbed the influence of such French 19th-century academic painters as William-Adolphe Bouguereau and Gustave Boulanger and of Indian contemporary popular theatre, specializing in the type of mythological paintings that found favour with Indian rajas and British administrators. His successful exploitation (from 1894) of the lithographic reproduction of his paintings ensured, for the first time in India, that the work of an individual artist could reach a mass market.

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